Pear and chocolate crumble.

Every year I forget how much I love pears.

Fruit is so prolific and so cheap in New Zealand that I don’t think about pears when they’re out of season. I know I take for granted the apples, the peaches, the watermelon, the plums, the mandarins, the cherries. The lemons, the grapes, the feijoas that grow without effort in our small garden.

I usually taste my first pear around June, when the feijoas have finished, and that’s when I remember just how delicious they are – that gorgeous, soft, perfumed juiciness. It’s a very feminine fruit, the pear.

So it’s appropriate that in this recipe pear is paired with chocolate. I have tried both dark and milk chocolate  and my preference is for milk. It’s more subtle in flavour; dark chocolate can be overpowering. But you can use any plain chocolate of your choice.

The fragrance of the poached pears and the richness of the chocolate combine to make this a special occasion dessert, despite being a humble crumble.

In a large saucepan place 7 pears that have been peeled, cored and cut into eight pieces each. {My favourite pear is a New Zealand variety, Taylor's Gold.}

Add 100g brown sugar, 1 tsp vanilla essence, 1 tsp ground ginger, the juice and zest of one lemon, and half cup of water. Simmer for around 10 minutes - pears should keep their shape but be tender.

Turn into a large baking dish.

Roughly chop 150g chocolate and sprinkle over pear mixture.

In a large bowl mix 200g plain flour, 100g oats, 75g brown sugar, and 1 tsp ground ginger. Rub in 100g softened butter, until mixture resembles coarse breadcrumbs.

Spread crumble mixture over the chocolate and pears. Bake at 180C for 25-30 minutes or until crumble is golden brown.

Serve with cream, custard, or vanilla ice cream - or all three!

Knitting with my grandmothers.

So I'm still not hooping, and I miss it. A lot. Several times a day I go to take my hoop off the wall, and then I remember.

I tried hooping for five minutes during the weekend and was forced to stop because of the pain in my back, shoulders, neck and arms. I've unfollowed many of my hooping friends on Instagram and Facebook because it's too hurtful to see what I'm missing out on. It makes me sad that at the next gathering of the New Zealand hoop community I might not be there.

But I'm enjoying walking {when the weather isn't too bad; it is the middle of winter right now!}. And I'm grateful that not long before I had to stop hooping I discovered another creative outlet: knitting.

How does someone with RSI so bad she can't hula hoop and can barely hold a pen, manage to knit? I don't know! I'm careful to not do it for too long, and I use small, flexible needles which I think makes a big difference. But it really doesn't seem to cause me any pain at all.

I come from a family of talented knitters. My sister, my mum, my grandmothers, and probably my great-grandmothers too, could/can all knit well. My paternal grandmother knit every item of clothing for her five boys during World War II, knitting sleeves of jerseys from the shoulders down so that they could be unravelled and knit longer as the boys grew.

I never showed promise as a knitter. I was clumsy with my needles and probably frustrated my mother - who taught me to knit when I was about five - by doing stupid things like slipping the stitches from one needle to the other without knitting them. My first knitted item was a dolls' scarf but it wasn't much good - it started with 10 stitches and ended with 35. I was slightly more dedicated as a teenager, but once I left home I never picked up my needles again, except for a brief, fruitless attempt in 2009.

I can't say why I decided to start knitting again. I work across the road from a woolshop and one day, when I was walking past, I suddenly went in, bought a ball of red double-knit wool and a pair of 4mm needles and began knitting that night. I've been hooked ever since.

I've even joined a knitting group. We meet every Saturday afternoon at a local cafe, a really diverse bunch of women joined by a mutual love of knitting. I love these two hours of time each week to do nothing but knit, chat and drink tea.

When I knit I'm reminded of my mother and my sister. I never really knew my grandmothers - I met them both, once, when I was seven - and my great-grandmothers had all died well before I was born; but when I knit I feel a sense of connection with these women. I'd like to think I've inherited just a little of their talent.

Just like the trees.

I'm writing this beside a roaring fire, with a certain happy dog stretched out on his sheepskin rug before it. Outside, heavy thundery showers keep passing over; it's dark, and it's cold. I'm feeling very grateful for all this cosy warmth.

It's a bleak time of year here in New Zealand. I find it hard going to work when it's still dark, and coming home after sunset. I even have to do most of my hooping inside at this time of the year.

A friend and I were walking our dogs at Kowhai Park last week, on one of those rare fine, windless, winter days. I confided to him that I often feel depressed at this time of the year, no matter how positive I am or how mild the weather is.

"I feel stripped bare," I said.

I didn't really understand my own words, but as we walked on I watched clouds of dead oak and liquid ambar leaves drift down to rest on the grass below. Some trees were only just starting to shed their leaves while others were nearly bare. I love the trees that fully lose their leaves in winter. They may appear to be naked and lifeless but they have a certain majesty about them. Without its covering of leaves, you can see a tree as it really is.

Maybe I am like the deciduous trees in winter. My leaves have been stripped from me, leaving only my bare branches. In winter, I see things - I see myself - as I truly am. Which is not always a comfortable thing.

I like this analogy.

The next day during my morning devotions I picked up Caitlin Matthews' wonderful, wise book, The Celtic Spirit {which I recommend to any Pagan with an interest in the Celtic world}, and the reading for that day contained the following paragraph:

"At this time of the year, when the trees look dishevelled, when growth stops, we may feel the loss as a personal thing and cross the threshold to depression. Yet the roots of renewal lie in the contemplation of the way in which this year's leaf mould on the forest floor will become the rich earth for next year's glorious growth."

I still long for warm sunshine and long days. Yet I feel I've been given a different perspective on winter: without the cold, the dark, the depression, the being stripped bare, we cannot experience the growth of spring.

My first Samhain.

Samhain altar, which includes photos of grandparents and great-grandparents.

At the end of April I celebrated my first Samhain {pronounced SOW-en}.

Samhain marks the start of winter and is one of four major pre-Christian Celtic festivals {the others are Imbolc - start of spring; Beltane - start of summer; and Lughnasadh / Lunastal - the start of autumn}. Of course, Samhain is supposed to be celebrated at the end of October, as it still is in the northern hemisphere, but there seems little point in celebrating the start of winter in October in New Zealand! So southern hemisphere Pagans switch the Celtic seasonal festivals around by six months.

Our modern festival of Hallowe'en originated with Samhain. One of the beliefs about Samhain was that it is a night when the veil between the living world and the Otherworld was open and if you weren't careful you might be harassed by all sorts of ghouls and ghosts and bad spirits. Fires were lit to drive them away.

Another less sinister custom of Samhain was that it is the night when our ancestors draw close to us. Pagans will often decorate their altars with photos of the beloved who have died. A group of local Pagans I know go to the local cemetery at Samhain to clean gravestones.

Many Pagans have great reverence for their ancestors; so Samhain - while it was originally an agricultural festival - has become a sort of "day of the dead". In New Zealand and Australia Samhain falls very close to Anzac Day, which is really appropriate because Anzac Day is a holiday to remember those who have died in wars.

I marked Samhain by placing photos of both my immediate ancestors and John's immediate ancestors on our home altar. I made a nice meal, lit some candles and set an extra place at our table for the ancestors. After dinner we drank mulled wine and ate Anzac biscuits {a delicious cookie which many Australians and New Zealanders bake at this time of the year}, and I said some prayers.

It was a very simple celebration, but it was meaningful and it felt good.

A Pagan year, part 1.

Crescent moon at sunset, Castlecliff beach.
Photo by Anne-Marie MacDonald

All my life I've been a spiritual seeker, searching for the Divine.

I grew up with a devout Catholic faith, in a close Catholic community. Until I was a teenager I barely knew anyone who wasn't a Catholic {except for my dad, and he went to Mass with us anyway}. I could go to Mass or say the Rosary right now and feel immediately comforted by those familiar prayers.

As an adult I tried hard to remain a Catholic, but eventually the realisation that I was lacking such essential beliefs as the divinity of Jesus and the authority of the Bible caught up with me.

Later, I felt comfortable with the Quakers. After a while, though, I felt like I was at a Green Party meeting; the Divine was an optional extra and seldom mentioned. For me, the Divine is front and centre. Not optional.

More recently, hooping has been the place where I encounter the Divine. But I never lost my interest in religion. I love to learn about other people's religious beliefs. If I'm honest, part of my interest comes from the desire to put a label on my own beliefs.

One evening last spring I came across the website of the Pagan Federation, based in Britain. I read their Three Principles:

1. Love for and kinship with Nature. Reverence for the life force and its ever-renewing cycles of life and death.
2. A positive morality, in which the individual is responsible for the discovery and development of their true nature in harmony with the outer world and community. 
3. Recognition of the Divine, which transcends gender, acknowledging both the female and male aspect of Deity.

There it is - my own core beliefs and spirituality written out in three short sentences. You can read more about the Pagan Federation's Three Principles here.

I had heard of Paganism and was familiar with the solar festivals, known as The Wheel of the Year. But beyond that I didn't know much about it. Were Pagans witches? What was Wicca, and Druidry? Do you have to cast spells to be a Pagan? Is Paganism even a religion? What's the theology of Paganism?

I didn't know the answer to these questions so I decided to spend a year living as a Pagan, beginning with the festival of Beltane last year {1 November in the southern hemisphere}. What do I mean by "living as a Pagan"? Celebrating all the solar and lunar festivals, reading and meditating and exploring exactly what Paganism is and how it might fit into my life.

It's been interesting so far. I've discovered I don't really want to find a Pagan community - I'm quite happy to be a solitary {which is an acceptable thing to do in many strands of Paganism}. That may change later, though. I've discovered that I am not interested in staging elaborate rituals, I prefer simple rituals with meaningful prayers. I've even written prayers myself. I've discovered I have no interest in doing spellwork, again I'm open to that changing. I'm reading about Pagan theology and I find it fascinating.

I've discovered nothing is off-limits to me in Paganism - I feel comfortable praying the Rosary, meditating, doing yoga, and bowing to the Moon.

So what will happen at Beltane when my year of living as a Pagan is up? I have no idea. I'm open to whatever feels right for me.

For more on Paganism, visit the Pagan Federation's description here.

The Luxury Pooch.

Two years ago today we brought home from the animal shelter a scared, skinny, lethargic, flea-infested dog. We were full of hope but not sure what we were getting ourselves into.

That was the day Monty entered our lives, our sweet little west highland terrier, who has become the light of our lives.

Monty's arrival was the realisation of a long-held dream for me; I had wanted my own dog the whole of my adult life. I never hoped to be able to have my own west highland terrier as a puppy costs around NZ$1200. We bought Monty for NZ$30.

He became part of the family almost immediately, and it didn't take much longer before the wounds from his old life had disappeared. Now Monty {also known as Moo} is almost unrecognisable from the dog he once was. He's happy, healthy, confident, friendly, a good guard dog, and he has the most comical little personality.

Everyone who meets Monty loves him. Even children who are scared of dogs will bring themselves to pat him because he's so calm. My mother - who has never been interested in animals - fell head over heels for Monty and now has her own dog who she dotes on!

Like any self-respecting westie, Moo thinks he's the boss of the house. His daddy has nicknamed him The Luxury Pooch because he's developed quite a taste for luxury. The couch is his, the bed is his, our laps are most certainly his! He loves his dinner, loves his daily walk, loves snuggles, and really loves wrestling with his soft toys.

I knew I'd love having a dog, but I hadn't realised just how satisfying it could be.

A bookish obsession

“It wasn’t a very likely place for disappearances, at least at first glance…”

This is the first line in a book called Cross Stitch, by Diana Gabaldon, and from the moment I read it I was obsessed.

There is nothing as enticing as the siren song of a promising new book, waiting to be read. And there's nothing as frustrating as being unable to spend as much time as you would like on said new book because you have irrelevant small details to attend to ... like work, family and sleep.

I read Cross Stitch for the first time in September, when a colleague lent it to me. Yes, I know; I’m about 25 years behind the times, as this book was first published in the 1990s. But better late than never, right? I had heard a lot about this book, and it seemed to be one that inspired much devotion from its readers.

I bought second-hand copies of the first three books in the Cross Stitch series - there are, I think, about nine in all - and quickly found myself unable to read anything else. I just kept wanting to read Cross Stitch.

It tells the story of Claire, an English nurse who, in the summer of 1946, is on holiday in the Highlands of Scotland with her historian husband, Frank. On the festival of Beltane Claire wanders into an ancient stone circle, has a very odd experience there and eventually realises she’s been sucked back in time to the year 1743. Alone, friendless, unable to escape the Scots and suspected by the English, Claire is eventually forced to marry a young Scottish warrior, Jamie.

If you’ve read the book you’ll know what happens next, and if you haven’t … go read it to find out what happens next!

By early October I had to go cold turkey on Cross Stitch. I was on to the second book by this time, Dragonfly In Amber, which was just as compelling as the first book but with a sense of growing doom breathing from it. I began to dream about the story. Twice I woke myself and my husband up in the middle of the night by bursting into tears in my sleep. I didn’t want to go to work – I just wanted to read my book.

So I got my husband to hide the books from me. Yes, it was that bad.

What is it about these books that inspire such obsession? Well, they are extremely well-written. They’re rollicking good stories, with plenty of adventure and humour. They’re richly detailed, without being boring. They suck you into the world of 18^th century Scotland; you can almost smell the mist, the cold, the dirt and sweat, the wool of the Highland kilts. It’s the wonderful characters that really get me, though: they’re so realistic and well-rounded that you quickly feel like you know them.

You can read more reviews of Cross Stitch here.

Starz has recently released a TV series of the book, called Outlander, which is worth watching. John and I have been watching it on Lightbox.

[Just to clarify: the book is called Cross Stitch in New Zealand, but is known as Outlander in other countries.]

Happy reading,

Anne-Marie x